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variations, depending on the print technique you have selected.
LUMABOND, matt:
FRAMING & MOUNTING FOR YOUR IMAGES
With WhiteWall you can choose from a diverse range of presentationvariations, depending on the print technique you have selected.
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Print Techniques
Maximum Size
Mounting/ Framing
Lambda Print
122 x 180 cm
122 x 180 cm
110 x 140 cm
122 x 180 cm
122 x 180 cm
122 x 180 cm
122 x 180 cm
122 x 180 cm
110 x 140 cm
122 x 180 cm
122 x 180 cm
122 x 180 cm
122 x 180 cm
LUMABOND
LUMASEC
Passe-Partout Frame
Shadow Gap Frame
LUMASEC with Shadow Gap Frame
LUMASEC with Aluminium ArtBox
LUMASEC with Wood Frame
LUMASEC
Passe-Partout Frame
Shadow Gap Frame
LUMASEC with Shadow Gap Frame
LUMASEC with Aluminium ArtBox
LUMASEC with Wood Frame
LUMABOND - matt/ glossy
- A Mounting process which places the photograph on an aluminium plate (Dibond).
- The photograph is affixed to the plate using a special adhesive.
- In order to protect the work from UV radiation and damage, a UV protective film is used.
- The finished mount can then be placed directly on the wall using the hooks and distance fixers on the reverse.
Particularly suitable for:
- Images with a horizontal edge longer than 80cm.
- Larger landscapes, horizons, impressive skylines and sea views.
- A clear, modern, direct mode of presentation.
Tip:
LUMABOND, matt:
- Particularly suitable for blurred or clouded paint style works, as well as for blurred photographic works.
LUMASEC
- Image is mounted on an aluminium plate and then covered with an acrylic glass plate.
- The acrylic glass plate is affixed using permanently elastic silicon and is the defining feature of this patented mount.
- The finished mount can then be placed directly on the wall using the hooks and distance fixers on the reverse.
Particularly suitable for:
- The colours shine more intensively through the glossy surface of the additional acrylic glass plate.
- It should be noted here that works which use dark colours may produce a mirror effect. This aspect may, however, be an added attraction to purchasing such a piece.
Passe-Partout Frame
- The most classic of picture frames.
- Prints such as portraits, smaller landscapes and city perspectives, black and white photographs and smaller illustrations are set perfectly in scene with a wooden frame and passe-partout.
- The passe-partout is set perfectly against the motif using a bevel cut edge, and consists of acid-free, extremely light resistant Hahnemühle card.
- Four glass varieties are available for the frame:
Float Glass (matt and glossy), Plexi Glass and Mirogard Museum Glass.
Shadow Gab Frame
- An exceptional, glass-free frame that lends particular weight to the piece itself.
- The photograph is first mounted on to a special plastic and then sealed with a protective film. The piece is then set into a real wood frame.
- The Uniqueness: between the mounted photograph and the frame there is a 7mm wide gap (shadow gap) – the effect is to give the impression that the photograph hovers mid-frame.
- Availabe in two different variations: Shadow gap frames of width 15 mm und 31 mm.
LUMASEC framed with shadow gap frame
- The photograph is first mounted onto an aluminium plate and then sealed with acrylic glass to protect from rips, bubbles and other damage (LUMASEC).
- The photograph is then set into a solid wood frame with a 7mm gap.
- The result is a photograph that appears to be behind glass, hovering mid-frame.
LUMASEC framed in Aluminium ArtBox
- The photograph is first mounted on to an aluminium plate and then sealed with acrylic glass to protect from rips, bubbles and other damage (LUMASEC)
- Photograph is then set into a Halbe aluminium frame.
- A modern presentation where the photograph appears to be behind glass with an aluminium edge.
- The aluminium frame is available in matt and untreated versions.
LUMASEC with a wooden frame
- The presentation technique LUMASEC is combined with a wooden frame.
- The photograph is first mounted onto an aluminium plate and then sealed with an acrylic glass plate to protect the photograph from rips, bubbles and other damage.
- The photograph is then set into a wooden frame.
Stretcher Frame for canvas
- The solid wood frame is repeatedly glued so as to remove the risk of shape distortion.
- The image is sealed with a light protective coating.
Polytarp: Aluminium ArtBox
- An innovation by Halbe Rahmen.
- The work is printed on to polytarp and laced with special silicon before being placed into an aluminium frame.
- The combination of light polytarp and aluminium makes the Art Box particularly suitable for works of a larger format.
- The frame is available in both matt and untreated alternatives.
Eyelets for canvas (glossy)
- The special resistance of the polyester material makes this choice particularly suitable for prints for use either inside or outside.
- The metal eyelets worked into the edge of the material offer various possibilities for hanging: Either with hooks, nails or directly onto the wall – whichever you prefer.
- Delivery does not include hooks, nails etc.
Hemstitch (for polytarp)
- The presentation technique for large art banners.
- The upper and lower edge of the work is folded and stitched. The result is to create an empty hem through which a metal bar or stretch rope can be passed.
- Delivery does not include metal bar, rope etc.














