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FRAMING & MOUNTING FOR YOUR IMAGES

With WhiteWall you can choose from a diverse range of presentation
variations, depending on the print technique you have selected.



Print Techniques
Maximum Size
Mounting/ Framing


Lambda Print

122 x 180 cm
122 x 180 cm
110 x 140 cm
122 x 180 cm
122 x 180 cm
122 x 180 cm
122 x 180 cm


Fine Art Inkjet Print

110 x 140 cm


Premium Art K3 Pigment Print

110 x 140 cm


UV Art Print

120 x 180 cm
122 x 180 cm


UV Art Large Format

250 x 600 cm


LUMABOND - A modern finish for photographs



LUMABOND - matt/ glossy

  • A Mounting process which places the photograph on an aluminium plate (Dibond).
  • The photograph is affixed to the plate using a special adhesive.
  • In order to protect the work from UV radiation and damage, a UV protective film is used.
  • The finished mount can then be placed directly on the wall using the hooks and distance fixers on the reverse.

Particularly suitable for:

  • Images with a horizontal edge longer than 80cm.
  • Larger landscapes, horizons, impressive skylines and sea views.
  • A clear, modern, direct mode of presentation.


Tip:

LUMABOND, matt:
  • Particularly suitable for blurred or clouded paint style works, as well as for blurred photographic works.
Details Details


LUMASEC - A classic acrylic lamination on aluminium plates



LUMASEC

  • Image is mounted on an aluminium plate and then covered with an acrylic glass plate.
  • The acrylic glass plate is affixed using permanently elastic silicon and is the defining feature of this patented mount.
  • The finished mount can then be placed directly on the wall using the hooks and distance fixers on the reverse.

Particularly suitable for:

  • The colours shine more intensively through the glossy surface of the additional acrylic glass plate.
  • It should be noted here that works which use dark colours may produce a mirror effect. This aspect may, however, be an added attraction to purchasing such a piece.
Details Details


PASSE-PARTOUT FRAME - The Classic - finished with a real wood veneer



Passe-Partout Frame

  • The most classic of picture frames.
  • Prints such as portraits, smaller landscapes and city perspectives, black and white photographs and smaller illustrations are set perfectly in scene with a wooden frame and passe-partout.
  • The passe-partout is set perfectly against the motif using a bevel cut edge, and consists of acid-free, extremely light resistant Hahnemühle card.
  • Four glass varieties are available for the frame:
    Float Glass (matt and glossy), Plexi Glass and Mirogard Museum Glass.
Details


SHADOW GAP FRAME - An extraordinary frame without glass



Shadow Gab Frame

  • An exceptional, glass-free frame that lends particular weight to the piece itself.
  • The photograph is first mounted on to a special plastic and then sealed with a protective film. The piece is then set into a real wood frame.
  • The Uniqueness: between the mounted photograph and the frame there is a 7mm wide gap (shadow gap) – the effect is to give the impression that the photograph hovers mid-frame.
  • Availabe in two different variations: Shadow gap frames of width 15 mm und 31 mm.
Details


LUMASEC FRAMED WITH SHADOW GAP FRAME - An exceptional combination



LUMASEC framed with shadow gap frame

  • The photograph is first mounted onto an aluminium plate and then sealed with acrylic glass to protect from rips, bubbles and other damage (LUMASEC).
  • The photograph is then set into a solid wood frame with a 7mm gap.
  • The result is a photograph that appears to be behind glass, hovering mid-frame.
Details


LUMASEC FRAMED IN ALUMINIUM ARTBOX - A modern variation only available with WhiteWall



LUMASEC framed in Aluminium ArtBox

  • The photograph is first mounted on to an aluminium plate and then sealed with acrylic glass to protect from rips, bubbles and other damage (LUMASEC)
  • Photograph is then set into a Halbe aluminium frame.
  • A modern presentation where the photograph appears to be behind glass with an aluminium edge.
  • The aluminium frame is available in matt and untreated versions.
Details


LUMASEC WITH PASSE-PARTOUT FRAME - Classical meets contemporary



LUMASEC with a wooden frame

  • The presentation technique LUMASEC is combined with a wooden frame.
  • The photograph is first mounted onto an aluminium plate and then sealed with an acrylic glass plate to protect the photograph from rips, bubbles and other damage.
  • The photograph is then set into a wooden frame.
Details


STRETCHER FRAME FOR CANVAS - A durable and valuable variation



Stretcher Frame for canvas

  • The solid wood frame is repeatedly glued so as to remove the risk of shape distortion.
  • The image is sealed with a light protective coating.
Details


POLYTARP: ALUMINIUM ARTBOX - Exclusive to WhiteWall



Polytarp: Aluminium ArtBox

  • An innovation by Halbe Rahmen.
  • The work is printed on to polytarp and laced with special silicon before being placed into an aluminium frame.
  • The combination of light polytarp and aluminium makes the Art Box particularly suitable for works of a larger format.
  • The frame is available in both matt and untreated alternatives.
Details


EYELETS FOR CANVAS (GLOSSY) - Ideal for large formats



Eyelets for canvas (glossy)

  • The special resistance of the polyester material makes this choice particularly suitable for prints for use either inside or outside.
  • The metal eyelets worked into the edge of the material offer various possibilities for hanging: Either with hooks, nails or directly onto the wall – whichever you prefer.
  • Delivery does not include hooks, nails etc.
Details


HEMSTITCH FOR POLYTARP - The presentation technique for large format art banners



Hemstitch (for polytarp)

  • The presentation technique for large art banners.
  • The upper and lower edge of the work is folded and stitched. The result is to create an empty hem through which a metal bar or stretch rope can be passed.
  • Delivery does not include metal bar, rope etc.
Details


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